A little info from Wallspace:
We are currently accepting submissions for our fourth annual juried show - New Directions.
New Directions seeks to discover new talent in the world of photography. Past shows have included the works of Joseph O. Holmes, Priya Kambli and Joelle Jensen. Each year emerging artists have an opportunity to have their work seen by a nationally recognized figure in the field of photography. From these entries a cohesive show emerges for display at Wall Space in January, and this year we are excited to have 23 Sandy Gallery in Portland join forces to show ND10 in Portland during the month of February.
All submissions for this exhibition are considered for gallery representation. wall space directors and associates, as well as 23 Sandy Gallery will review the work, however the galleries review will not affect the outcome of the selection process.
The focus of this call for entries is an exhibition called Down & Out.
The request from Ms. McCusker -
This call for entries privileges two points of view: looking down from a high vantage point, and looking out to a vanishing horizon. Art historian, Albert Boime, described the former as a "Magisterial Gaze" that gave early Americans, through painting and printmaking, a view at one with God, hence, Manifest Destiny. The latter may simply be the romance of the road, or curiosity about what lies just out of sight - an American impulse from early pioneers to Jack Kerouac.
Numerous painters and photographers have employed these vantage points, subsequently, they run the risk of cliché. When done well, however, each reveals the unexpected, as in Szarkowski's photograph, Country Elevator (see wall space blog to view picture). The optimist in me delights at the disorienting perspective of looking down whereby familiar objects become abstract and dizzyingly beautiful, to looking out, with that forward motion promising adventure or escape.
The title Down & Out might conjure images of ne'er-do-wells (risky, if the public decides not to inquire further). What I hope the photographs provide, however, is pleasure in the variety of ways 'down' and 'out' can be imaged, and what emotional liberation such points-of-view can have on our often confined and overly responsible psyches.
Entries are due November 15