Thursday, December 31, 2009

Business Card

The New Logo

So what do you think of the new logo?

It was designed by Janice Davidson, who is based outside of San Francisco.

She was awesome to work with and gave me multiple logos to choose from.

Her website is at

I highly recommend working with her.

She can help you with your logo and product branding.

A little more info:

Janice Davidson Design (650.799.3979)
Blending Strategy With Style Since 1997
Janice creates elegantly designed solutions across a range of media that at first glance appear effortless, even timeless, in their execution. A peek behind the curtain reveals a keenly honed strategic approach to the crafting of designs that surprise, impress and celebrate the unique qualities of her clients’ products and services. 

Wednesday, December 30, 2009

What to do in LA January 14 - 17

To start with, I will be a reviewer at Review LA, which is January 14 through January 16 and is held at the Doubletree Guest Suites in Santa Monica.  As of this writing, it is sold out but there is a waiting list.  Check their site for all of the details.

Across the street from the Doubletree, at the Santa Monica Civic Auditorium, Photo LA will be running from January 14 through January 17.  I went to the last one and it was fantastic.  The amount of black and white work was inspiring.

Each night there are a few things going on but the event I am most excited about is the Photographers Fling, also hosted at the Doubletree on Saturday night from 9pm to midnight.  After two days of reviews, this will be a great time to relax with great people and fine drinks.

This is going to be a great weekend.

Thursday, December 24, 2009

Happy Holidays

I want to wish all of my Friends and Family and very Merry Christmas and a happy and prosperous New Year.

Thank you for making Fraction Magazine such a success.

2010 is going to be a great year.

Sunday, December 13, 2009

The Future of Photography Books

This entry is a response to this.

(this is a very rough draft)

I've always viewed photography books as things, possessions that are to be cherished and collected.  I have a very small collection of books as I am very choosy as to what I would like to spend my money on.  I keep some books in my living room, on shelves around the television and some in a closet in another room.  The books that are out in the living space, near the TV, can be handled by guests.  The ones that are kept in the closet, are not to be handled unless I give permission.  These are the books I cherish the most.  Like the signed, first edition Alec Soth's Sleeping by the Mississippi.
These days, books seem to be getting more and more expensive.  The newest Sally Mann book, which I will be purchasing, is about $85 at Photo-eye.  I would probably buy two books a month, maybe more depending, but to lay out two or three hundred dollars a month on books,  is not wise in this day and age (according to my wife).

Some books need to be viewed as art pieces in their own right. For example, Photo-eye has a new book imprint, called Photo-eye Editions.  I was lucky enough to see two of these books about a week ago and they are exquisite.  They range in price from $850 to $1750.  They are made of fabric, wood and metal.  They are art objects.  If I could buy one without an argument from the misses, I probably would.

But as the editor of Fraction Magazine, who on occasion promotes a book with a book review, find the book publishing world frustrating.  In very recent times I have been asked by two book publishers, one who is very well respected, to write a book review, based on a pdf file, not the actual book.  I immediately declined the offer as it is a great injustice to my audience and the collectors of photography books, to write a photography book review based on what is viewed on a computer screen.  The print quality of the book is as important as the content of the book itself.  If the photographs are not well printed in physical book form, the potential buyer needs to know this.  If not, should the review come with a disclaimer that the reviewer has no idea how well the book is printed because the review was done via pdf?  Isn't that unfair to the reader/collector?  I think so. (side note: compensation for most  book reviews is the book itself. So if you are asking me to review your book via pdf file, what is the compensation for the time and energy to write that review and promote your product?)  
Based on this interaction with book publishers, it is obvious they are trying to trim back every budget they can so we have to wonder how far this will go.  Do I think photography books will follow the way of the newspaper, slowly disappearing into the digital realm?  I don't think so and here is why.

I dare say that photography books will become like shooting film in a film camera.  Shooting film is becoming kind of a niche market.  Only a handful of companies are left who produce film (and paper) and the product itself is getting expensive (remember buying Ilford film for $2 a roll?).   Maybe this will happen to photography books? In this regard, I think small companies like Photo-eye, Radius Books and Charles Lane Press will stick around.  These companies are run by artists who understand the concept of the photography book (as art form) and their importance to the collector as well as the artist.   Sure, the giant companies are going to whittle things down to the bare minimum and it will become like the recording industry; if you cannot sell a certain and predetermined quantity of units, you do not get published (this is probably happening already).  Gone are the days of believing in the work and the artist.  The economy is rough and every penny spent is scrutinized.

Also, self publishing companies like Lulu, Blurb and MagCloud will continue to better themselves and their output and make it easier for artist, writers and photographers to by-pass the publishing giants and produce their own books in their own time frames and manner.

So, I would hate to see photography books disappear.  They are so much a part of the history of the photographic art form (that is another response) that losing them to a digital medium would be very unfortunate.  Do I think this will happen?  Probably not.  And remember, there is a darkroom scene in the movie Minority Report, which is based in the year 2054, so there is a little bit of hope.

Monday, December 7, 2009

Hey New Mexico !!

Hey New Mexico
Don't forget that Wednesday night at 630pm is the SlideLuck PotShow at the New Mexico History Museum

Here is the list of artists being shown:
Alexandra Huddleston | Carol Mell | Carolyn Marsden | Christina Kennedy | Dave Reichert | Dave Lykes Keenan | David Ondrik | Diane Duenzel | Dorie Hagler | Helen Maringer | Jake Mendel | James Farrell | Jared Pitts | Jeff Bidewell | Jonathan Blaustein | John Mulhouse  |  Judith Haden | Kathleen Hawkes |Leon Trujillo| Luis Saenz | Lyn Avery | Marilyn Maxwell |Melanie McWhorter |Micaela Butts | Neil Trager |  Nicholas Chiarella | Patricia Leigh | Philip Augustin | Roberto Rosales | Susan Ressler | Thomas Vorce | Tony Bonanno

Friday, December 4, 2009

Lots going on at PhotoNOLA

There is so much going on at PhotoNOLA this week that the only thing I can do is give you the link to check out the schedule.  Wish I was there.

Thursday, December 3, 2009

Jonathan Blaustein Holiday Print

"A chihuahua in the middle of the street,"
from the yet-to-be released series "The Edge of Empire," 2009
8.25"x11" on 9"x12" paper
edition of 50, available through 01.01.10

Wednesday, December 2, 2009

Alexis Pike Holiday Print

No Snake—Bliss Idaho (2006)
9"x7" image printed on 10"x8"
Chromogenic Print on Fujicolor Crystal Archive paper
$50, plus shipping and handling
Contact Alexis at

Michael Sebastian Holiday Print

archival inkjet on paper. approx 12x 14 image size on 13 x 16 paper
$100 shipped to CONUS

Contact Michael at

Tuesday, December 1, 2009

Jeff Willis Holiday Print

Inkjet print with dye-based hand-coloring

Contact Jeff at

Kerry Mansfield Holiday Print

size: 20x24"
medium: Chromagenic Print (analog)
price: $200

Susana Raab Holiday Print

William Faulkner's Telephone, Oxford, Mississippi
7" square on 8.5 x 11 paper ultrachrome pigment print


Contact Susana at

David Ondrik Holiday Print

Mont St. Michel
7" x 7" image on 8"x10" paper, archival pigment ink print, 
Contact David at

Ken Rosenthal and Lisa Robinson Holiday Print

#0007-A, From the series Feathers; unique cyanotype; 
2.5"x3.75", mounted/matted on 8"x10" rag board.  

Ken Rosenthal and Lisa Robinson Holiday Print

#0002-A, from the series Feathers; unique cyanotype; 
2.5"x3.75", mounted/matted on 8"x10" rag board. 
Contact them at

Bethany Souza Holiday Print

8 1/2 X 11 (edition of 100) for $25
16 X 20 (edition of 20) for $150  
Both prices would include shipping.

Contact Bethany at

Aline Smithson Holiday Print

Use Your Imagination
Archival Inkjet Print
$50 plus postage and handling

Jennifer Ray Holiday Print

Composition #1 from the series Domain, 2007


Contact Jennifer at

Mark Geil Holiday Print

Pacific Combat Zone, National Museum of the Pacific War
Fredericksburg, Gillespie County, Texas

2009, archival pigment print on Hahnemuhle Photo Rag Pearl
image 8 X 10 inches on 8.5 X 11 paper

price $75 / edition of 21

Kirk Gittings Holiday Print

Threatening Storm, Pueblo Alto, Chaco Canyon, 1982
Image size 11x15, matted, archival pigment ink print, cost $650.00


Tom Richardson Holiday Print

Either You Rock or You Suck, New Orleans, 2009
12 x18 on 17 x 22 Hahnemuhle Photo Rag. 
Holiday sale price $350
Contact Tom at

Norman Mauskopf Holiday Print

Jerry Olson & Chief, Santa Fe, New Mexico 1984
by Norman Mauskopf
7x11 image on 11x14 paper for $150
Contact Norman at

The Fraction Magazine Holiday Print Sale

Tonight begins the posting of the The Fraction Magazine Holiday Print Sale.

If you see a photograph, click on the link to the photographer and let me know that you want to buy their Fraction Magazine Holiday print.  Simple as that.  One hundred percent of the sale goes to the photographer.

Let me know if you have any questions.